Set in the beautiful countryside between Pleurtuit and La Richardais, this newly renovated studio offers a peaceful and stylish base from which to explore the Côte d’Émeraude and the wider coast of Brittany.
The studio sits on the grounds of Kerlola, a traditional Breton farmhouse, where we live. The two buildings are completely independent, with no windows or direct outlook between them, although we share the driveway and part of the garden. You’ll have your own private terrace and plenty of space to relax and enjoy the surrounding countryside.
The studio is a bright, beautifully designed open-plan space, with a generous kitchen, dining area and comfortable seating. Large south- and west-facing windows fill the room with light throughout the day, while the private terrace is a lovely spot for morning coffee, an evening glass of wine or simply watching the seasons change across the orchard and fields.
This is a genuinely rural setting, surrounded by farmland. You may occasionally see a tractor working in the neighbouring field, but otherwise it is wonderfully quiet, mostly birdsong, wind in the trees and, depending on the weather and direction of the wind, the sound of the ferry leaving Saint-Malo in the morning.
Sleeping
The main bed is a very comfortable 160 cm queen-size bed on the ground floor, with views towards the garden. The bed folds away during the day, giving you a surprisingly generous open space if you would like to practise yoga, exercise, dance or simply enjoy the room differently.
Above the dining area is a charming mezzanine with a 140 cm double bed, two skylights and another very comfortable mattress. Access is via a sliding ladder/stair, which is straightforward to climb but may not suit guests with mobility difficulties or a fear of heights.
The mezzanine is protected by a secure catamaran-style net, creating a lovely little hideaway for reading, resting or enjoying a quiet afternoon. It can be a particularly fun space for children, although we ask that you only book if you are happy for your children to use the ladder independently and safely. For safety, the mezzanine is intended for resting and reading rather than energetic play, and no more than 100 kg should be on the mezzanine at any one time.
There is no television, but the studio has excellent Wi-Fi and speakers, so it is easy to stay connected or simply create your own soundtrack for a relaxing evening.
Walk in shower in generous sized bathroom.
Cet hébergement est proposé par un particulier et soumis au Code civil français, non au droit européen de la consommation. Mais ne vous inquiétez pas, GreenGo vous garantit la même qualité de service client !
We moved to our beautiful home in Brittany in 2020, having had a smaller house in the area. I am British, my husband is French. We both work from home. My business is sourcing craft textiles from across the world, so there is lots of textile texture in the house. The garden and orchard is big, pretty and a bit out of control. Would love more time in the garden. If you feel like pruning trees while you are here please let me know ;)
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Exemples de critères remplis
Bonne isolation du bâtiment
Bonne isolation du bâtiment
Pratiques et initiatives favorisant la biodiversité
Pratiques et initiatives favorisant la biodiversité
Dispositifs et gestion économes en eau
Dispositifs et gestion économes en eau
Chauffage basse empreinte
Chauffage basse empreinte
Politique active de réduction des déchets
Politique active de réduction des déchets
Promotion d’activités durables à proximité
Promotion d’activités durables à proximité
Produits d’entretien et d’hygiène écoresponsables
Produits d’entretien et d’hygiène écoresponsables
Produits locaux, bio et de saison majoritaires
Produits locaux, bio et de saison majoritaires
Équipements électriques basse consommation
Équipements électriques basse consommation
Gare à proximité (< 10km)
Gare à proximité (< 10km)
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Valeurs et engagements durables de votre hôte
My relationship with sustainable development has grown from my work as an entrepreneur, journalist and storyteller, and from a long-standing curiosity about the people and processes behind the things we buy.
I founded Storie in Paris in 2011 after a career in journalism with the BBC and France 24. Journalism taught me to look beyond the surface: to ask who made something, where it came from, how it was produced and whose voices are being heard. Those same questions became central to the way I selected and presented products for Storie.
Through Storie, I have focused on working with artisans, designers and small producers, particularly in textiles and traditional crafts. My aim has always been to create a viable market for beautiful, handmade products while supporting the people and communities behind them and helping traditional skills and cultural heritage survive and evolve.
For me, sustainable development has both an environmental and a social dimension. Environmentally, I believe we need to move away from disposable consumption and towards buying fewer, better things that are made to last. I look at materials, production methods, longevity, repair, reuse and ultimately what happens to an object at the end of its life. I am particularly interested in natural and recycled materials and in traditional production methods, while recognising that sustainability depends on the whole production process rather than simply the label attached to a material.
The social dimension is equally important. Sustainability cannot be separated from livelihoods and human dignity. Through Storie, I have worked with social enterprises and artisan communities where creating access to markets can provide income, particularly for women, while also preserving valuable skills and traditions. Projects involving recycled textiles and traditional techniques such as Kantha have shown me how environmental and social impact can come together: an old textile can be given a new life while the work of the craftsperson creates meaningful economic opportunity.
Storytelling is an important part of this. Consumers cannot make informed choices if they have no understanding of what lies behind a product. I believe that when we understand the story behind an object, we are more likely to take care of it.